Hyla Willis
littlescience.com
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Propositions and Undoings
subRosa's contribution to the 2011 Pittsburgh Biennial U-Gen-A-Chix →
Propositions and Undoings
This project by subRosa initiates a collective inquiry about how feminist knowledge sharing might inform "bench-side" approaches to scientific method and science pedagogy. Pittsburgh Biennial, Regina Gouger Miller Gallery, 2011. (photo by Tom Little)
Propositions and Undoings
Gallery visitors are invited to sit at the different tables, alone or with another person, to think and talk about the themes, histories, and ideas embedded in each setting—and to share their responses in the space. subRosa: Pittsburgh Biennial, Regina Gouger Miller Gallery, 2011. (photo by Tom Little)
Propositions and Undoings
subRosa combined notes, drawings, materials, and objects that reflect some of our own and others' meanderings and serious study in scientific, social and artistic pursuits. Pittsburgh Biennial, Regina Gouger Miller Gallery, 2011. (photo by Tom Little)
Propositions and Undoings
This project by subRosa initiates a collective inquiry about how feminist knowledge sharing might inform "bench-side" approaches to scientific method and science pedagogy. Pittsburgh Biennial, Regina Gouger Miller Gallery, 2011. (photo by Tom Little)
Propositions and Undoings
This project by subRosa initiates a collective inquiry about how feminist knowledge sharing might inform "bench-side" approaches to scientific method and science pedagogy. Pittsburgh Biennial, Regina Gouger Miller Gallery, 2011. (photo by Tom Little)
America's Least Livable City
Installation created for Pittsburgh Center for the Arts’ "2014 Artist of the Year" exhibition.
Grenadine
Video installation at the Mattress Factory for 2012's "Sites of Passage" show.
Can You See Us Now?
subRosa's contribution to "The Interventionists" exhibition at MASS MoCA, 2004.
Out-Rage-Us-Joy
subRosa's installation for "The Way That We Rhyme" at Yerba Buena Center for the Arts,
Propositions and Undoings
subRosa's contribution to the 2011 Pittsburgh Biennial
U-Gen-A-Chix
subRosa performance and installation at Ljubljana's City of Women festival.
Rhythmic Smelling Machines
MFA thesis project, 1999.
Transfer Points
A collaboration with Jen Morris exploring the intersections of patient/traveler processing at airports and hospitals.
Healthy Artists
Design for the Healthy Artists Movie Poster Exhibition. Inspired by Andy Warhol's "Vanitas" painting, popular Día de Muertos colors, and Lance Wyman's visual program for the Mexico City '68 Olympics.
Where have all the — And what will she do with?
Installation: Lyrics from "All Tomorrow's Parties" are written on paper tongues. Lyrics to "Where Have All the Flowers Gone" are painted on broken ROTC practice rifles, 2014.
Que Serra
Acrylic on birch with [supplied] horseshoe and miniature figures: a wry reference to the Tilted Arc at Javits Plaza. Created for a themed silent auction to benefit the Mattress Factory, 2014.
Exquisite Corpse
Exquisite Corpse drawing by Ryan Griffis, Hyla Willis, and Christiane Leach for the "Surrealism and War" exhibition at the National Veterans Art Museum, 2014.
Steadfast
Installation: wood, nails, paint, 2014. After the village is razed, the succulent hedge is steadfast.